Everything is Simple

“You made the world rosy, then you left.” —Geneviève in Entre la mer et l’eau douce (1967)

</3, Between Sweet and Salt Water, Entre la mer et l'eau douce, Geneviève Bujold, abandonment, b&w, black and white, canadian, film, french, french canadian, movie, movie stills, quebec, quotation, quote, relationships, sadness, still, stills, Geneviève,

Geneviève

Posted 3 months ago

7 notes

Geneviève Bujold, Between Sweet and Salt Water, Entre la mer et l'eau douce, still, stills, film, movies, Canadian, black and white, b&w,

Suzan Genç in Büyük oyun (A Step Into the Darkness)

Posted 4 months ago

16 notes

Suzan Genç, Büyük oyun, still, film still, movie still, A Step into the Darkness,

Posted 5 months ago

125 notes

Petit tailleur, Léa Seydoux, Louis Garrel, french, woman i love, favorite actresses, beautiful women, france, french, film, still, stills,

Audrey-Charlotte Maillochaud in Henri-Jean Debon’s ’Mon cœur’ (2007)

Posted 5 months ago

Audrey-Charlotte Maillochaud, Mon cœur, Mon coeur, Henri-Jean Debon, beauty, women, female, faces, still, film still, short film, short films, stills,

Danielle Ouimet, Andrea Rau, Delphine Seyrig

Daughters of Darkness (dir. Harry Kümel, 1971)

Posted 5 months ago

4 notes

Andrea Rau, Danielle Ouimet, Daughters of Darkness, Delphine Seyrig, Harry Kümel, film, movie, movies, still, film stills, movie still, movie stills, France, Belgium, Germany,

Allan: That’s quite a lovely Jackson Pollock, isn’t it?Museum Girl: Yes, it is.Allan: What does it say to you?Museum Girl: It restates the negativeness of the universe. The hideous lonely emptiness of existence. Nothingness. The predicament of Man forced to live in a barren, Godless eternity like a tiny flame flickering in an immense void with nothing but waste, horror and degradation, forming a useless bleak straitjacket in a black absurd cosmos.

When she first appeared on screen, I thought to myself, “Wow. She’s hot. No, she’s beautiful!”
Katie agreed.
Then, as ‘Museum Girl’ opened her mouth and began expressing her opinion of the Pollock piece, I realized I was in love. This was my ideal woman.
It’s too bad she’s a character in a film. A character created by a man. A character who exists for less than two minutes in a 1972 film.
::frowny face::

Allan: That’s quite a lovely Jackson Pollock, isn’t it?
Museum Girl: Yes, it is.
Allan: What does it say to you?
Museum Girl: It restates the negativeness of the universe. The hideous lonely emptiness of existence. Nothingness. The predicament of Man forced to live in a barren, Godless eternity like a tiny flame flickering in an immense void with nothing but waste, horror and degradation, forming a useless bleak straitjacket in a black absurd cosmos.

When she first appeared on screen, I thought to myself, “Wow. She’s hot. No, she’s beautiful!”

Katie agreed.

Then, as ‘Museum Girl’ opened her mouth and began expressing her opinion of the Pollock piece, I realized I was in love. This was my ideal woman.

It’s too bad she’s a character in a film. A character created by a man. A character who exists for less than two minutes in a 1972 film.

::frowny face::

Posted 5 months ago

5 notes

Woody Allen, women I love, Diana Davila, perfect, art, Pollock, Jackson Pollock, Play it Again Sam, Play It Again Sam, still, dialogue, Allan, Museum Girl,